Stoked about this review from Adobe and Teardrops!

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What a difference a year makes. As it turns out, the Ladyshark review I posted last week was for the band’s first album. Lovesick was released last Thursday and it shows exponential growth in the band’s sound. Both albums are excellent, but Lovesick has an increased sophistication to it. The album’s title track advertises this from the jump, featuring multiple gravity-defying tempo shifts  In this go-round, Ladyshark invokes Bikini Kill’s penchant for chaos to tackle adulthood, relationships, and managing relationships in adulthood.

I don’t know why but over the past couple of days I’ve been in my feelings (as the kids say) about not being where I feel I “should” be — especially compared to most other people my age. “Never Grow Up” casually throws a grenade into all of that:

All of my friends are having lots of babies
I’m content that my pets don’t have rabies
You really don’t need to have kids to make it
The worst thing is having them and trying to fake it

I I I don’t wanna ever grow up
I I I don’t wanna be a boring grown up
I I I don’t wanna live with a foot in the grave
I I I don’t wanna feel like dying to escape
So let’s never grow up
Never grow up 

Both “Lovesick” and “Never Grow Up” provide a sort of musical and thematic overture to the rest of the album, which similarly careens through critiques of social expectations and emotionally unavailable lovers. (I know that’s not exclusive to queer relationships but I honestly feel like we corner the market on it.) One reprieve, “Shiny Things,” is a sweet story about losing an engagement ring and how that’s not the part of anything that really matters.

Go to http://www.adobeandteardrops.com/2017/12/ladyshark-lovesick.html for the full article.

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Review of Ladyshark’s Monsters up on Adobe and Teardrops!

http://www.adobeandteardrops.com/2017/11/ladyshark-monsters.html

While Monsters, the debut album by Ladyshark, may feel very immediate, it’s actually been around for a while. The Nashville punk duet unflinchingly addresses the monsters that have stalked us well before Donald Trump was a sickly twinkle in his Nazi father’s eye and, unfortunately, will continue to stalk us for long after. Monsters is a profoundly feminist album that confronts assault, partner violence, and sexism with steady hands, steadfast hearts, and blistering guitar riffs.

I’m not sure if Ladyshark would call themselves riot grrl but the influence is unmistakable. Sleater Kinney-style angular guitar riffs thunder through songs that are designed to leave the listener off-balance. Ladyshark is not here to comfort you. On “Riot” they sing,

What the hell is it to run like a girl?
When is a job made for a man in the world?
How can you make a woman scream?
When you tell her she can’t do anything!

Hold back your tongue
Gender roles are no fun
Rebel against the rules
Stop listening to fools

Why do women get paid so much less
Don’t expect me to feel good in a dress
We won’t bow to your toxicity
Our gender comes with fluidity

Hold back your tongue
Gender roles are no fun
Rebel against the rules
Stop listening to fools

Maybe this just hits a chord with me at the moment — the holidays are all about spending time with family, reminiscing on childhood, thinking about the roles you have in life and might one day want, and spending time with people whose expectations for you are invariably different from what you want. I also think that these themes are extremely important for a band coming from Nashville, where the expectations for women in music — especially country music — are quite prescribed.  

While most of the album deals with very serious themes, Ladyshark has fun as well. “Seance” details a supernatural experience gone horribly, but entertainingly, wrong. 

A final note about the album. “New Years Day” describes a conversation with a trans* woman, though the song uses the word “trans sexual” [sic.] For those who may not know, this word is generally out of favor in the trans* community, though there’s a reason that asterisk exists. I am not sure how the woman in the song describes herself (if the song is in fact a true story), but in general usage it’s better to simply use “trans” or ask the individual what words they use to describe hirself. If Ladyshark has any details to add I’m happy to update this post.

Or maybe find out in person! Ladyshark will be playing an album release party for their new album Lovesick (to be reviewed here soon) tonight at The 5 Spot at 8! Details here!

Check out this cool review we have from itsezbreezy.com!

The new single from Ladyshark has a bouncy, jangly beat, somewhat in opposition to  the more somber title “Hangin’ Out for Someone Else”.  This exploration of love, specifically those initial moments when so much is unknown, is fun, well-played and almost hypnotic at times.  Most of all, I liked the diversity of percussion that really drives the song forward.  The tune is reminiscent of the Yeah Yeah Yeahs.  As a forerunner of their album release Lovesick, I’m anxious to hear the rest from this talented Nashville band.  Also be sure to check out their previous album Monster for their more punk leanings.

http://www.itsezbreezy.com/ladyshark/

Blues Bunny gave us an awesome review of the new album Lovesick! Check it out!

If there are any great philosophers left in the world then I would imagine, or at least hope, that they are pondering the question of what, exactly, is a song for today? Think about it. There are no new trends left to follow and the music business lives only to reissue its back catalogue. However, somewhere in Nashville, is a punk American style trio called Ladyshark who, with their album “Lovesick” have managed to give us a tune or two to treasure whilst we endure our mundane existence.

Now, as the word punk implies, there is really nothing new to be found on this album but Ladyshark aren’t really a political band anyway and their sweet little love songs are, in reality, more restyles of sunny guitar pop than anything else. That’s no bad thing in my book.

So, songs for today? Well yes. Songs about love never go out of fashion and it has been some time since punk was actually in fashion so tying the two together seems like a curiously honest and logical approach for a band to have today. That, and I would dare anyone with working ears to avoid falling for the sugar coated splendour of “Stupid Love Song” or the revisited rebellion of “Never Grow Up”.

The times may not be a-changing anymore yet there are still songs for today to be found in the eleven songs that make up this rather endearing album.

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https://www.bluesbunny.com/Reviews

The Autumn Roses reviews Ladyshark’s Single

http://www.theautumnroses.com/post/167203839723/ladyshark-hangin-out-for-someone-else

It moves fast and magically – barely touching the ground and enchanting with its platinum, reverse rotation. Feathered Punk Rock that chimes, “Hangin’ Out For Someone Else” is the luminous new single from Nashville’s Ladyshark. You can download the track and more of their music from their Bandcamp page now.

Track of the week on UK Blog God Is In the TV

http://www.godisinthetvzine.co.uk/2017/11/03/totw-3/ Ladyshark’s new single Hangin’ Out For Someone Else is track of the week on the UK blog God Is In The TV! Thanks so much! This is AWESOME!!

Ladyshark – Hanging’ Out For Someone Else

Ladyshark’s new single ‘Hangin’ Out For Someone Else’ is about ‘starting to date someone and being unsure if they’re digging you as much as you dig them.’ Mixing a sprightly DIY new wave sound with a bittersweet tunefulness Vardy’s vocals are cloaked in the attitude of someone who has been rejected but survived to tell the tale. (BC)